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THE THING THAT'S KILLING ME (2023)

πŸ“…

29.06.-02.07.2023

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Lichthof Theater (Hamburg)

In The Things That's Killing Me, Glitch AG clambers up, storms and rebels against a world made of spaces, structures and objects that, disconcertingly often, fails to include women*: from the size of mobile phones to a lack of toilets in public space, insufficient research data on heart attacks to airbags that kill instead of saving lives. In a performance devoid of text and speech, the three performers of Glitch AG treat nonverbally of the way in which their three bodies relate to such abjections. For this, they dive into a surreal world made of measures, forms, colours and materials that have them caught in impractical garments, labouring against the enemies of female* bodies. From all this clambering, displacing, layering, toiling and rethinking arises a choreography of objects and abjections, which reveals their everyday insufficiency. This choreography is accompanied by a live-soundtrack that blends different instruments, voices and sounds on site.

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π™±πšˆ & πš†π™Έπšƒπ™·: πšπšŠπš‘πšŠ π™΄πš–πšŠπš–πš’ π™Ίπš‘πšŠπš—πšœπšŠπš›πš’, π™΄πšŸπšŠ-π™ΌπšŠπš›πš’πšŠ π™Άπš•πš’πšπšœπšŒπš‘, π™°πš—πš—πšŠ π™·πšžπš‹πš—πšŽπš› [π™²πš˜πš—πšŒπšŽπš™πš, π™ΏπšŽπš›πšπš˜πš›πš–πšŠπš—πšŒπšŽ]; π™²πš‘πš›πš’πšœπšπš’πš—πšŽ π™Ίπš›πš’πšœπšπš–πšŠπš—πš— [π™²πš˜πš—πšŒπšŽπš™πš, π™³πš’πš›πšŽπšŒπšπš’πš˜πš—, π™³πš›πšŠπš–πšŠπšπšžπš›πšπš’]; πš‚πšŽπš‹πšŠπšœπšπš’πšŠπš— 𝚁𝚞𝚜𝚜 [π™Όπšžπšœπš’πšŒ & π™²πš˜πš–πš™πš˜πšœπš’πšπš’πš˜πš—]; π™³πšŽπš›πš’πšŠ π™°πšπšŠπš”πšŠπš— [π™Όπšžπšœπš’πšŒ & πš…πš˜πš’πšŒπšŽ]; π™°πš—πšπš‘πš˜πšžπš•πšŠ π™±πš˜πšžπš›πš—πšŠ [π™²πš˜πšœπšπšžπš–πšŽ & πš‚πšπšŠπšπšŽ]; πš‚πšŠπšœπš”πš’πšŠ π™ΌπšŠπš›πšπš’πš—πš“πšŠπšœ [π™²πš˜πšœπšπšžπš–πšŽ & πš‚πšπšŠπšπšŽ π™²πš˜πš•πš•πšŠπš‹πš˜πš›πšŠπšπš’πš˜πš—]; π™±πš’πšŠπš—πšŒπšŠ π™ΏπšŽπš›πšžπš£πš£πš’ [π™»πš’πšπš‘πš πšπšŽπšœπš’πšπš—]; π™ΊπšŠπšπš“πšŠ π™Ίπš›πšžπšπš•πš’πš”πš˜πšŸπšŠ (π™Ώπ™ΊπŸΉπŸΆπŸΆπŸΆ) [π™Ώπš›πš˜πšπšžπšŒπšπš’πš˜πš— & π™Ώπš›πšŽπšœπšœ]; π™ΌπšŠπš›πšŒπš˜ π™ΌπšŽπš›πšŽπš—πšπšŠ [π™Ώπš›πš˜πšπšžπšŒπšπš’πš˜πš— πšŠπšœπšœπš’πšœπšπšŠπš—πšŒπšŽ, π™Ύπšžπšπšœπš’πšπšŽ 𝚎𝚒𝚎, π™ΌπšŽπš—πšπš˜πš›πš’πš—πš, π™ΌπšŠπš”πšŽ-πš„πš™].

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Pics: Β©Judith Zastrow [Shitty Pants Production]

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