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MOTHER OCTOPUS (2024)
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29.11.-01.12.2024
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Hamburger Sprechwerk
Our very first relationship is that with our biological mother. None shapes us as much as this one: We grow up in her womb, it is she who nurtures us. We are one, protected from the world, which has so far only come to us in muted form. Until our peaceful idyll comes to an abrupt end, when the first trauma of our lives occurs, the first act of (maternal?) violence: happy birthday! We are expelled, squeezed out, torn into the glaring, cold reality. No longer protected from the hands that reach for us.
In mother octopus, two queer performers explore the relationship to their mothers by approaching them through drag. In doing so, they autobiographically examine the traumas caused by their gender-stereotypical upbringing. In a performative dialogue about parenthood, they create a queer-positive family model that invites parents and children, mothers and queers to an intergenerational exchange. In doing so, mother octopus approaches motherhood from a queer-feminist perspective in which motherhood has no gender and asks: how can mothers and queers be allies in the fight against patriarchy?
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๐ฑ๐ & ๐๐ธ๐๐ท: ๐ผ๐๐๐๐๐ ๐ผ๐๐๐๐๐๐ [๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐, ๐๐๐๐๐๐๐, ๐๐๐๐๐๐๐๐๐๐๐]; ๐ฐ๐๐๐๐๐ ๐๐๐๐๐๐ [๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐, ๐๐๐๐๐๐๐, ๐๐๐๐๐๐๐๐๐๐ข]; ๐ผ๐๐๐๐ ๐ผ๐๐๐๐๐๐ [๐๐๐๐๐๐๐, ๐๐๐๐๐๐๐๐๐๐๐]; ๐๐๐๐๐๐ ๐ฑ๐๐๐รผ๐๐ ๐๐๐ ๐ผ๐๐๐๐๐ ๐ต๐๐๐ [๐๐๐๐๐ ๐๐๐๐๐๐๐]; ๐ฒ๐๐๐๐๐ ๐รผ๐๐๐๐ [๐๐๐๐๐]; ๐ป๐๐๐๐๐๐ ๐ฝ๐๐๐๐๐๐ [๐๐๐๐๐๐๐๐๐๐๐ข ๐๐๐ ๐๐๐๐๐].
โ๐ซโโ๐บโโ๐ณโโ๐ฉโโ๐ชโโ๐ฉโ โ๐งโโ๐พโ โ๐ซโโ๐ทโโ๐ชโโ๐ฎโโ๐ชโ โ๐บโโ๐ณโโ๐ฉโ โ๐ญโโ๐ฆโโ๐ณโโ๐ธโโ๐ชโโ๐ธโโ๐นโโ๐ฆโโ๐ฉโโ๐นโ โ๐ญโโ๐ฆโโ๐ฒโโ๐งโโ๐บโโ๐ทโโ๐ฌโ , โ๐งโโ๐ชโโ๐ญโรถโ๐ทโโ๐ฉโโ๐ชโ โ๐ซโรผโ๐ทโ โ๐ฐโโ๐บโโ๐ฑโโ๐นโโ๐บโโ๐ทโ โ๐บโโ๐ณโโ๐ฉโ โ๐ฒโโ๐ชโโ๐ฉโโ๐ฎโโ๐ชโโ๐ณโ โ๐ฆโโ๐ณโโ๐ฉโ โ๐นโโ๐ญโโ๐ชโ โ๐ญโโ๐ฆโโ๐ฒโโ๐งโโ๐บโโ๐ทโโ๐ฌโโ๐ฎโโ๐ธโโ๐จโโ๐ญโโ๐ชโ โ๐ฐโโ๐บโโ๐ฑโโ๐นโโ๐บโโ๐ทโโ๐ธโโ๐นโโ๐ฎโโ๐ซโโ๐นโโ๐บโโ๐ณโโ๐ฌโ. โ๐ธโโ๐บโโ๐ตโโ๐ตโโ๐ดโโ๐ทโโ๐นโโ๐ชโโ๐นโ โ๐งโโ๐พโ โ๐ตโโ๐ทโโ๐ดโโ๐งโโ๐ชโโ๐งโรผโ๐ญโโ๐ณโโ๐ชโ โ๐ฎโโ๐ฒโ โ๐ฌโรคโ๐ณโโ๐ฌโโ๐ชโโ๐ปโโ๐ฎโโ๐ชโโ๐ทโโ๐นโโ๐ชโโ๐ฑโ.
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Pics: ยฉLennart Nielsen














